Old Town Graveyard - Medina, Ohio


Welcome to our third installment of Cemetery Sundays! Today, we travel to the town of Medina, Ohio to visit... well, uh... I'm not sure WHAT the correct name of this cemetery is!

Google Maps calls it Old Medina Cemetery, the City of Medina's official website calls it Old Towne Cemetery, and as I pulled into the parking lot, I immediately notice the sign on the grounds that calls it Old Town Graveyard. So I'm going with Old Town Graveyard.


Regardless of what you call it, Old Town Graveyard, positioned next to Saint Paul's Episcopal Church just off of the historic main square in Medina, Ohio really is a feast for the eyes. It was given to the city of Medina in 1818 and is the final resting place of the city's earliest settlers.

As I roamed the grounds, I noticed many of the stones, dating from the early to mid-1800s, had beautifully ornate epitaphs. And after more than 100 years, most were still in remarkably good condition compared to comparable stones in the local area.

This graveyard is definitely worth a visit if you are in the area. Some of the epitaph engravings are some of the most ornate and beautiful that I have ever seen. Lots of pics this time around, so sit back and enjoy!






As I walked by this obelisk tombstone, I noticed that all four sides were blank. No epitaph on any side. Upon closer inspection, I noticed at the bottom right side of the base, a small name and date in a wonderful script type. I was impressed. I had never seen an epitaph treatment like this before - very modern, especially for a tombstone from 1866!










James C. Welch, died from injuries received at the Battle of Gettysburg, 1863. Some history hidden here.








Rest in peace, "Little Georgie," aged 13 months.







An incredibly detailed and ornate epitaph. Amazing talent that you just won't see anymore.
 











It's also nice to see active steps being made towards the upkeep and maintenance of these old stones.








 

The Six Skulls of Osteopetrosis


Osteopetrosis - a hereditary disorder in which old bone cells are not recycled, resulting in increased density or thickness and an alteration in shape of the bone. The bone is thus weaker, due to decreased blood cell production in the marrow.

Osteopetrosis can range from mild to severe with the possibility of being life threatening.

There is no cure.


During an Ohio excavation in Fall of 2014, an unmarked mass grave was discovered in which all of the interred skeletal remains were shown to have severe bone abnormalities and advanced decay. The specimens were delivered to a local university's archeology lab for further study and analysis. Below are the results from that study:


Keyes Archeology Department
October 18, 2014:
An unmarked mass grave was discovered at the Highbury excavation site in Akron, Ohio. Six skulls, all showing varying degrees of deformity and advanced decay, were removed and brought to the Keyes Archeology Laboratory for further analysis. Initial reviews reveal that each specimen showed increased thickness and alteration of the cranium. Three of the skulls also displayed advanced decay.



Photo 1-1: Specimen collection, taken at the Highbury excavation site. 10-18-14
 

Specimens were photographed and documented into the laboratory catalog system. X-ray, 3D scan and advanced bone density testing revealed that all specimens displayed the same symptoms of the hereditary disorder, Osteopetrosis. The following documents the individual specimens with detailed analysis:


Cat. 257.01: Excessive bone density and deformation around the left temporal zone.
Calcified growths also present on right cranial region. 10-18-14


Cat. 257.02: Complete decay of facial and oral region with porous bone fragmentation in nasal area.
Calcified growths also present on rear cranial region. 10-18-14


Cat. 257.03: Advanced decay of rear cranial region with bone deformity and thickness in nasal area.
Textured abrasion on front left cranial region. 10-18-14


Cat. 257.04: Advanced decay of right occular region with bone deformity and thickness in brow and rear cranial area.
Textured abrasion on central and right rear cranial regions. 10-18-14


Cat. 257.05: Advanced bone deformity and thickness throughout occular, nasal and temporal areas.
Textured abrasions throughout rear cranial region. 10-18-14


Cat. 257.06: Complete decay of rear cranial area. Textured abrasions throughout front cranial region.
Minor bone deformity and thickness in nasal region. 10-18-14


Final results and full documentation will be cataloged with the Keyes Archeology Department and all files will be delivered to Blacke Genetics Department Laboratory for further study.

-Dr. Thornton Whateley
 Keyes Archeology Laboratory



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The cast foam skulls above are from a fun little side project that I have been working on throughout the summer and into the fall. It involved a lot of trial and error, adjusting the process as each skull was completed. Here, after quite a few adjustments, is what I did to create them.

I started with a cheap plastic skull. I picked up the black skull below at Pat Catans for $3. Whatever skull you decide to go with, be sure that is is hollow on the inside. I took the skull and cut it into two pieces - front and back:





I then coated the inside of both pieces with Vaseline. It's important to coat everything, including the recessed areas around the face, as this will let the shell release after it has dried. Don't be afraid to really slather it all around:




Once you have both halves coated, it's time to fit the pieces back together with duct tape. Be sure to use plenty of tape, including along the seam as well as some from front to back, as you want to make sure this form will hold together as the foam inside of it expands:



VERY IMPORTANT: when cutting the skull into two halves, be sure to cut a notch opening at the bottom of the skull so that you have a place to fill it with the foam. Also be sure to leave the hole open when taping the form together:

 


Once the form is together, the next step is to fill it with Great Stuff expanding foam (please wear rubber gloves because getting Great Stuff on your skin just plain sucks - even though I'm not wearing them in the photo below, I did put them on before I started spraying). I usually fill it about 3/4 of the way full, as the foam will continue to expand and fill the rest of the skull:



You'll know it's working when the foam continues to expand, eventually flowing out of the hole. I had to actually wipe some of that foam away, as it continued to expand, flowing down the side of the skull:
 


And now comes the hard part - waiting. And waiting. And waiting. After various times, I found that TWO WEEKS or longer is needed for all of the foam to expand, settle, dry and harden. Don't forget that not much air is getting into the skull, so it will take a really long time for it to dry. I have also experimented with placing the skull in different positions while drying so that the foam can settle in all the areas. Once the skull is finally dry, remove the tape and gently pull both pieces of the form from your new foam cast skull:



When the skull was finished and dry (you'll have to wipe the excess Vaseline from the foam skull), you'll be ready for detailing. I used wood stain and painted the entire skull, wiping the stain off from the raised areas of the skull immediately. This took another couple of days before it was dry to the touch, but turned out great.


And please be aware that is by no means a fail-safe method. It's a very loose process with many variables. I ended up getting a second skull so that I could rotate between the two each week (filling one up while the other one dries and then pulling the first one while the second one dries). And, even after two weeks of drying, I found that a few of the skulls hadn't fully dried or had settled and left open areas, usually in the rear of the head. You WILL NOT get a perfect skull every time (at least I didn't), so proceed only if you're okay knowing that. These skulls will be placed on a shelf in my yard haunt, so perfection wasn't needed. Enjoy!!
 

A Story of Dracula, The Wolfman and Frankenstein


We've come to the end of another long, hard week, and that means only one thing... it's Freebie Friday! 

Today, I'm dropping A Story of Dracula, The Wolfman and Frankenstein on Power Records from 1975. But not only do you get to listen to this story, you also get to READ it, because this record also came with a 16-page full color comic, penned by Neal Adams, illustrating the entire three-chapter story. It's a great read/listen as it spins an original story, interweaving the three classic characters. This one is a lot of fun to listen to and follow along with!





From the record sleeve:

Book and Record - At the signal, turn the page and follow along.

The record follows the book "word for word." The action COMES ALIVE!

Frankenstein's monster, Count Dracula, and The Werewolf all meet under unusual and bizarre circumstances in this masterpiece of terror and suspense. Power Records is proud to present this magnificently illustrated original tale. Heightening the intense dramatic portrayal are sound effects and music that will keep you on the edge of your chair. This package is designed to be read and played—and treasured for years to come.

And my personal favorite, the blurb from the back cover:

Especially designed to coordinate sight and sound, this book and record set is a valuable and entertaining learning aid. This educationally valuable multi-sensory reading concept is approved by reading specialists. Everyone becomes totally involved reading the words in the book as they are spoken on the record. The dramatic performances enlivened with sound effects and music create thrills and excitement.

Thrills and excitement, indeed! Follow along as we hear A Story of Dracula, The Wolfman and Frankenstein!

















Thanks to the Power Records blog for posting the comic page scans.


And listen to the audio version of the story by downloading A Story of Dracula, The Wolfman and Frankenstein here. Enjoy!